Paul got his first taste for photography at 20 years old, when he began photographing his fellow professional skiers. The slopes led him to work on such films as Downhill Racer, American Graffiti, and Days of Heaven.
But his experience in the world of feature films eventually led him to the world of informational films. As a key member of the Wondros production team, Paul has worked on such Wondros films as MIT Media Lab, Famine is the Real Obscenity, and both films The Getty Fund’s Pacific Standard Time Project – amongst many others.
Great work, Paul! Thanks for being an indispensable part of the Wondros team.